H Andrews Media Studies

Fandom Applies particularly to the range and diversity of representations offered by long-term TV drama to 'textual poachers' who wish to use these products to create their own culture, for example via fan sites. Long-form dramas may achieve cult status, adding to their views for fans. This optimistic view of the power of audiences may underestimate the power of the oligarchy (a small group in control) of media conglomerates to shape and control television content.  He believes that fans play a huge role in the media. Fans pay attention to media related content.They comment and share what they want their idols or favorite shows to do in the future which helps producers. Fans can also interpret/construct the meaning of different media productions.  His theory involves a key phrase which is 'textual poaching'.

British Broadcast Corporation facts/information -funded by licence fee (currently £147 a year for a colour licence) -follows a PSB remit.  -publicly owned  -regulated by OfCOM - requirement to promote British 'talent'  -has a Royal carter -produces television, radio and online content.  - BBC World Service that broadcasts overseas.  Remit  to entertain and engage a broad range of young listeners with a distinctive mix of contemporary music and speech.  It should offer a range of new music, support emerging artists (especially those from the UK) and provide a platform for live music.  News, documentaries and advice campaigns should cover areas of relevance to young adults.